6,722 Royalty-Free Audio Tracks for "Flute Compositions By Johann Sebastian Bach"

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Piano concerto in a minor, op. 16 - iii. allegro moderato molto.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Waltz in A minor, B. 150, KK IVb/11, P. 2/11, often designated as No. 19, is a waltz for solo piano

Nokturn e-moll op. posth. 72 nr 1Nocturne in E minor, Op. posth. 72 no. 1

Mazurka no. 4 in a minor, op. 17

Nokturn f-moll op. 55 nr 1Nocturne in F minor, Op. 55 no. 1

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

The third and final movement of the suite Looking Upward by John Philip Sousa, "Mars and Venus", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "New York Hippodrome" by John Philip Sousa, played by the United States Marine Band. Performed October 30, 2007 in Newport, Rhode Island during the 2007 National Concert Tour. Col. Michael J. Colburn, conducting.

The Liberty Bell performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 2 from Ceremonial Music (1993)

The march "The Fairest of the Fair" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's march "The Man Behind the Gun", played by the U.S. Marine Band for the album Uncommon Valor.

The second movement of the suite Looking Upward by John Philip Sousa, "Beneath the Southern Cross", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "On the Campus" by John Philip Sousa, played by the United States Marine Band

The first movement of the suite Looking Upward by John Philip Sousa, "By the Light of the Polar Star", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "Jack Tar" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's march "Powahatan's Daughter", played by the United States Marine Band

The march "The Gladiator" by John Philip Sousa, played by the United States Marine Band. Recorded November 4, 2006 at the Curtis M. Phillips Center for the Performing Arts in Gainesville, Florida. Lt. Col. Michael J. Colburn, conducting.

John Philip Sousa's march "Bullets and Bayonets", played by the United States Marine Band

The march Sabre and Spurs by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Peer Gynt Suite No. 1, Op. 46 - II. Aase's Death

John Philip Sousa's Jack Tar March, performed by the U. S. Navy Band's Ceremonial Band

John Philip Sousa's march "Sound Off", played by the U.S. Marine Band for the album Sound Off!.

Manhattan Beach performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 4 from Ceremonial Music (1993)

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Sousa's "Hands Across the Sea" performed by the Concert Band of the United States Air Force Band. Track 6 from the band's 2017 album America.

The Presidential Polonaise by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Ballade No. 2 in F major, Op. 38.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Nocturne in D-flat Major, Op. 27, No. 2

Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2

Nokturn Es-dur op. 55 nr 2Nocturne in E flat major, Op. 55 no. 2

Nocturne no. 2 in e flat major, op. 55

Nocturne Op. posth. 72 in E Minor

Mazurka no. 2 in d major, op. 33

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Isle of Beauty by Thomas H. Bayly. Isle of Beauty von Thomas H. Bayly.

a guitar composition

part2